Alma Mater - performance by Sarah Dixon

alma mater

an enquiry

“I’d like an ocean to pour through this building and wash it, wash it down, wash it away. Wash away the little clutters that are in there. The ocean could flood through the doors and the windows. That would be nourishing. We could meet a new kind of creature there. Like a shipwreck. Okay. Fish can swim through the wall.”

– ALMA MATER

This piece is an exploration of the concept of the “Alma Mater” or “nourishing mother” as used to denote a boarding school. 

Artist Sarah Dixon worked with woodsman Adrian Leaman to create a performance of the Alma Mater and a burning of a school effigy.

 

ALMA MATER

performance film

http://FILM

The phenomenon of British boarding school has roots in the 6th century, evolving from a tradition of the Church offering a kind of education to poor children (boys) in return for singing and “bodies in the space”, to become an elite educational system designed to preserve privilege and power across generations.

In recent years psychotherapists have identified a specific set of impacts (“boarding school syndrome”) affecting young children separated from their families and having their Mother figure replaced the institution. This has cultural significance due to the highly disproporationate number of people who are educated htis way and go on to take up positions of power and influence in UK and global society.

The performance is an investigation into this phenomenon from a personal and an embodied symbolic perspective and is initiated by an invitation to write a chapter for a book on Myths and Mothering with Demeter Press (tba). 

If you are interested in screening this work, or an artist talk, panel or workshop on the cultural significance and impacts of British boarding schools, and the use of performance and ritual in relation to understanding them, please feel welcome to get in touch.

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Mon – Thu 10:00-17:00; Fri 10:00-13:00